This interactive website called soundcities.com allows the audience as creative user the possibility to remix the hundreds of samples recorded from around the worldon various soundmaps. Soundcities is an open online database of the thousands of sounds from around the world and you can visits the various cities and create soundmaps.. The website also has series on online mixing desks where you can mix these sounds. Soundcities uses city recorded soundscapes from world cities.
Soundcities was the first online open source database of city sounds and soundmaps from around the world, using found sounds and field recording. There are now thousands of sounds from around the world on the website. The concept started in 1995 with various iterations. In 1996 Stanza devised the term soundmaps and intitiated the varios works that developed into soundcities.comStanza's soundmaps have been online since 2000 and the Soundcities database since 2004. This project allows the audience the possibility to remix the hundreds of samples recorded from cities around the world in an online database. The sounds can be listened to, used in performances on laptops, or played on mobiles via wireless networks.The Database is also open so anyone can upload sounds they collect from world cities, thereby making a contribution to the project and making an online sounds archive.
The sounds of cities also give clues to the emotional and responsive way we interact with our cities. Cities all have specific identities, and found sound can give us clues to the people that inhabit these spaces, as well as provoking us and stimulating our senses in a musical way. I am interested in the sounds of specific places, and how the sounds reflect this identity and re-imposes characteristics back onto the location or environment. The aim is to create an online aural experience that evokes place, both as literal description but also developed musical composition. The sounds of cities evoke memories. As globalization fractures the identity of the city experience we start to find things that appear the same the world over.
A growing labyrinth, a community of aural cityscapes and collages is now evolving.The nature of the sounds and noise of cities varies in tone and language. A background rhythm can come into the foreground. It mixes itself, and evolves. The city is its own music, constantly evolving, a beautiful composition of squeaks, clanks, and pulses we compose this orchestra as we move about. We control the interface of the city as we navigate the streets. We are familiar but distracted as it bombards our conscious slipstream. The sounds evolve, generate, move, die, fade and shift. The sounds of the city are out there all the time, there is no silence. The children, the trains, the drills, the animals, the micro sounds, the sounds of our bodies, the sounds of the street, the insides of our souls. Familiar forms, identities and sounds are common to all cities, and yet each have special forms that separate and identity particular places and spaces.
The city is the orchestra. As globalization fractures the identity of the city experience we start to find things that appear the same the world over. Soundcities, involves field recording literally the sounds we hear as we walk out of the door. Not just as noise (data) or as noise pollution but also as an appreciation of sound and how this not only affects the space but is the space.The noise is the city, the noise is the music, the city is the orchestra and we are just conductors whose interactive actions compose this music as we walk around. We control the interface of the city as we navigate the streets. We are responsive in out interactions of the city space.
I have spent the last 20 years traveling to over 20 worldwide cities. During this time I have collected and recorded the sounds from these cities. I also took thousands of photos. I have been to sao paolo, london, paris, dresden, amsterdam, saltburg, graz, rotterdam, barcelona, san sebastian, manchester, liverpool, ljubiana, frankfurt porto, istanbul, mexico city, new york.etc The result is the Soundcities sounds archive.This resource is now an open platform. The worlds first online database of city sounds and soundmaps.
Soundcities has become an open source archive, a resource to make spatialisation and sonifications of the environment based on the analogue recorded sounds.
BOOKINGS AND EXHIBTIONS :
The project is available for exhibition, workshops and live performance.
FUNDING NEEDED :
The project is u funded .
LISTEN TO SOUNDS BY CITY:
Винница, aarhus, albany, new york, aluksne, amman, amsterdam, bamako, bangkok, barcelona, beijing, belo horizonte, bergen, berlin, bilbao, birmingham, blandford forum, bogota, bordeaux, brescia, bristol, brussels, budapest, buenos aires, cagliari, cairo, camberwell, caracas, catania, champaign, changchun, chicago, cluj napoca, cork, dakar, dalian, den haag, denton, tx, dresden, ekaterinburg, esquerdes, frankfurt höchst, fuzhou, genzano di roma, glasgow, gothenburg, granada, graz, guangzhou, halifax nova scotia , hamburg, helsinki, hong kong, istanbul, kaohsiung, kiev, kobe, kyiv, la laguna, lisboa, liverpool, ljubiana, london, los angeles, louisville, marseille, mexico city, minneapolis, montevideo, moscow, munich, münster, nairobi, napoli, new delhi, new york, palma, pamplona, paris, pavia, perugia, portland, porto, prague, rabat, rio de janeiro, roma, rosario, rotterdam, salzburg, san fiorenzo (saint-florent), san francisco, san sebastian, sao paulo, seoul, shanghai, shanxi, shanxi-yuncheng, stuttgart, suzhou, taipei, tel-aviv, thessaloniki, tokyo, toulouse, trieste, trinidad, uhtrect, ulm, venezia, vienna, wroclaw, yogyakarta: aarhus , albany, new york , aluksne , amman , amsterdam , bamako , bangkok , barcelona , beijing , belo horizonte , bergen , berlin , bilbao , birmingham , blandford forum , bogota , bordeaux , bristol , brussels , budapest , buenos aires , cagliari , cairo , camberwell , caracas , catania , champaign , chicago , cork , dakar , dalian , den haag , dresden , ekaterinburg , esquerdes , fuzhou , genzano di roma , glasgow , gothenburg , granada , graz , halifax nova scotia , hamburg , helsinki , hong kong , istanbul , kobe , kyiv , la laguna , lisboa , liverpool , ljubiana , london , los angeles , marseille , mexico city , montevideo , munich , nairobi , napoli , new delhi , new york , paris , pavia , perugia , portland , porto , prague , rabat , rio de janeiro , roma , rotterdam , salzburg , san fiorenzo (saint-florent) , san francisco , san sebastian , sao paulo , seoul , shanghai , stuttgart , suzhou , taipei , tel-aviv , thessaloniki , tokyo , toulouse , trieste , uhtrect , ulm , venezia , vienna , wroclaw , yogyakarta
Stanza is an internationally recognized artist, who has been exhibiting worldwide since 1984. His artworks have won twenty international art prizes and art awards including:- Vidalife 6.0 First Prize. SeNef Grand Prix. Videobrasil First Prize. Stanzas art has also been rewarded with a prestigious Nesta Dreamtime Award, an Arts Humanities Creative Fellowship and a Clarks bursary award.
His artworks have been exhibited with over fifty exhibitions globally. Participating venues have included :- Venice Biennale: Victoria Albert Museum: Tate Britain: Mundo Urbano Madrid: New Forest Pavilion Artsway: State Museum, Novorsibirsk. Biennale of Sydney, Museo Tamayo Arte Contemporáneo Mexico: Plymouth Arts Centre: ICA London: Sao Paulo Biennale: Stanza is an expert in arts technology, CCTV, online networks, touch screens, environmental sensors, and interactive artworks. Stanza's artworks explore artistic and technical opportunities to enable new aesthetic perspectives, experiences and perceptions within context of architecture, data spaces and online environments.
Recurring themes throughout his career include the urban landscape, surveillance culture, privacy and alienation in the city. Stanza is interested in the patterns we leave behind as well real time networked events that can be re-imagined and sourced for information. Stanza uses multiple new technologies to create distances between real time multi point perspectives that emphasis a new visual space. The purpose of this is to communicate feelings and emotions that we encounter daily which impact on our lives and which are outside our control. His mediums include; painting, video, prints, generative artworks and installations. Stanza is an expert in arts technology, CCTV, online networks, touch screens, environmental sensors, and interactive artworks. Recurring themes throughout his career include, the urban landscape, surveillance culture and alienation in the city.
(C) Stanza. 2000 . All rights reserved.
KEYWORDS. soundmaps, soundcities, urban sounds, city, field recording , noise maps